Gabriel’s mother, through whom he is related to the hosts of the party, turns out to have “married T.J. Conroy of the Port and Docks” (179). In other words, “the brains carrier of the Morkan family” (186), as Aunt Kate calls Gabriel’s mother, married into money. Leonard contends that “the Browning quote is there to invite from [Gabriel’s] audience authorization for his viewing of himself as someone with refined tastes and a superior education” (460). But that Gabriel is more educated is not a boast he wants to convince everyone of; it is rather a fact he goes out of his way not to lord over them, as is the higher grade of culture his mother married into. Leonard also charges Gabriel with having “contempt for them as peers” (460), but if that were the case he would not bother himself about appearing “ridiculous” before them. The Lacanian is treating the reality Gabriel is trying to mitigate as a fantasy he is trying to propagate.
Eagleton, Terry. Literary Theory: An Introduction. Anniversary Ed. Minneapolis: U of
Flesch, William. Comeuppance: Costly Signaling, Altruistic Punishment, and Other Biological
Components of Fiction. Cambridge: Harvard UP, 2007. Print.
Joyce, James. “The Dead.” Dubliners. Eds. Robert Scholes and A. Walton Litz. New York:
Kelley, James. “Mirrored Selves and Princely Failings: A Lacanian Approach to James Joyce’s
Leonard, Gary. “Joyce and Lacan: ‘The Woman’ as a Symptom of ‘Masculinity’ in ‘The Dead.’”
Trujillo, Ivan E. “Perversion as the Jouissance of The Woman in ‘The Dead’: Joyce, Lacan and
Wynn, Karen, J. Kiley Hamlin, and Paul Bloom. “Social Evaluation by Preverbal Infants.” Nature
450.22 (2007): 557-560. Web. 30 Mar. 2010.