You sit reading the first dozen or so pages of some celebrated classic and gradually realize that having to sort out how the ends of the long sentences fix to their beginnings is taking just enough effort to distract you entirely from the setting or character you’re supposed to be getting to know. After a handful of words you swear are made up and a few tangled metaphors you find yourself riddling over with nary a resolution, the dread sinks in. Is the whole book going to be like this? Is it going to be one of those deals where you get to what’s clearly meant to be a crucial turning point in the plot but for you is just another riddle without a solution, sending you paging back through the forest of verbiage in search of some key succession of paragraphs you spaced out while reading the first time through? Then you wonder if you’re missing some other kind of key, like maybe the story’s an allegory, a reference to some historical event like World War II or some Revolution you once had to learn about but have since lost all recollection of. Maybe the insoluble similes are allusions to some other work you haven’t read or can’t recall. In any case, you’re not getting anything out of this celebrated classic but frustration leading to the dual suspicion that you’re too ignorant or stupid to enjoy great literature and that the whole “great literature” thing is just a conspiracy to trick us into feeling dumb so we’ll defer to the pseudo-wisdom of Ivory Tower elites.
|Jonathan Franzen-Courtesy of Frank Bauer|
Also read "Can't Win for Losing: Why There are so many Losers in Literature and Why It has to Change."
And: "Life's White Machine: James Wood and What doesn't Happen in Fiction."
And: Stories, Social Proof, & Our Two Selves